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Nativen is an American heritage workwear brand, for hands-on women with know how. 

From our curated collection of vintage pieces to our thoughtfully crafted USA-made workwear,  we are passionate about providing you with the kind of products you will love to live and work in.

We believe that you don't need more stuff. You need better stuff.

 

Story

Filtering by Tag: textile artist

Laura Evans: Outra Textiles

Lily Hetzler

As daunting as the leap from the strangely reassuring cacophony of urban existence to the cricket chirp-filled lull of a rolling green mountain town may seem to us city-dwellers, in Laura Evans’ sun-soaked Asheville studio, it’s clear that life’s pleasures do indeed prevail in the South. Laura’s North Carolinian pad is filled with inspiring images of what a home can be: simple, beautiful, and playful.  From her Southern roots to her days as a Brooklyn landscaper, Laura finds her art in quiet moments. Now based permanently in Asheville, Laura’s creativity finds its genteel yet contemporary expression in the novel world of her brand, Outra Textiles

Nativen:    First off, where are you from?

Laura:    I'm from Georgia and Alabama. My parents are both from Georgia and my mom has an enormous family; she grew up on a farm with 10 kids! When I was five, we moved back to Georgia. I grew up there and went to college there. 

Nativen:    So you're a real Southern woman?

Laura:    It doesn't totally feel like that! But I guess, by definition. 

Nativen:    How do you think growing up in Georgia influenced your work and your creative life?

Laura:    When I was growing up, I was pretty mainstream in a lot of ways. Georgia is a conservative situation, and it doesn't accept people who are very different. I think when I was in high school, and even more in college, the creative part of me started to feel like creativity was a way to resist, a very safe way to break out of that mold. 

Nativen:    How do you define your work? Would you call yourself a textile artist?

Laura:    Yeah. I went to school for landscape architecture. After graduating in Georgia, I moved to Brooklyn and worked for several years doing that. But my excitement for it wore off pretty fast. I realized over time that I'm more interested in patterns and graphic representation of things, as opposed to design spaces. Landscape architecture as a whole is pretty tedious, like an office job for the most part. You're at a computer 95% of the time. 
I was majorly questioning whether I wanted to stick with that, and we decided to move to Asheville. When we moved, we didn't have work, but we thought it would be fine. We were moving from a big city and thought that we'd find work, no big deal. But that's not how Asheville is, and I didn't have a job for the first month that we were here. It was really uncomfortable for me. My life in New York was constantly crammed, so it was pretty uncomfortable to not have many friends, not to have anything going on. But, during that time, while it was hard, it gave me space to think about what I was actually really interested in. I started making stuff for our house, and that felt much more satisfying than anything else I had done in a long time. I needed to break myself a little bit and sit with the uncomfortableness in order to get back into my creativity. It's hard, but that's part of my process now. 

Nativen:    Beautiful things grow from dirty places. It's good to have that. What do you love most about Asheville and do you think it's integral to your work in any way?

Laura:    One of the biggest things is that there isn't a big focus on career here. It’s really nice. It’s not that I don’t want to be productive or motivated, but it's nice not to have that pressure. It works well for me. There’s also a big sense of community here and a big crafty community. 

Nativen:    Do you have a favorite restaurant in Asheville?

Laura:    I'm on a funky diet right now so I don't eat out a ton anymore. But there’s this place that looks really cheesy, but the food is actually so good, it's called Posana. It's downtown and they have a really nice outdoor seating area. 

Nativen:    Do you have a favorite home goods or clothing store?

Laura:    The shopping in Asheville is not awesome. When we first moved here, there was just Old North, a men's clothing place. When I stumbled upon it, it felt like a haven. Luckily, they did well, and they expanded to women's and a couple home goods. It's beautiful and well curated. 

Nativen:    Do you have a favorite park or outdoor space? 

Laura:    There's a ton around here, so it's a little tricky to pick! There is the North Carolina arboretum, which is associated with UNC and is really wonderful. They have pretty Rhododendrons and covered trails, and the gardens are also really gorgeous. Then there's an infinite amount of hiking trails and swimming holes around here.

 Nativen:    Is there a hidden gem in Asheville?

Laura:    There's a park close by that’s not well known called Azalea Park, and there’s a spot there where you can get into the river. There aren't that many places close to town where you can access the water, so that feels pretty special. It gets a little overrun sometimes with some bizarro people, but anyway…

Nativen:    What do you think is the greatest resource to your work here in Asheville?

Laura:    There is a really awesome craft gallery downtown, The Center for Craft Creativity & Design. It's a pretty contemporary take. The space is really beautiful and it’s a very accessible community. My husband and I are pretty plugged in with them. 

Nativen:    What part of your process brings you the most joy?

Laura:    Probably that moment when a new design occurs to me. But sometimes, it comes a lot harder. I have to sketch a long time before I can come up with things that feel new and fresh. But the stuff that I end up liking the most usually occurs to me really quick. That excitement is about making something new that I haven't felt before. Novelty. That’s definitely the most alluring and addicting part of the whole thing. 

Nativen:    What part is the greatest struggle for you?

Laura:    Probably the time right before that. Like what I was just saying saying about that feeling—the novelty—like it's not going to happen again. And then there’s just feeling exhausted. Like all right. I'm done. I've had all the ideas I’m going to have and it's not going to come to me again. But the longer I do it, the more I am comfortable sitting in the uncomfortable space. I know that it's only temporary, and there is a whole other side to it. I'm also used to being in a studio environment where I can bounce ideas off of people constantly. For better or worse. That constant feedback (or lack of it) can be a real struggle. 

Nativen:    If you weren't a textile artist, what do you think you would be? 

Laura:    Who knows! I like looking at design books and thinking about design. I am also very into interior design, and thought about studying it in college. But when I was picking a major, somehow, I just felt really self-conscious about going in that direction. It felt like such a housewife thing to do. But still, that’s just what I gravitate towards. I've been dancing around it for a while now, but I don't know how much I'll ever get into it.

Nativen:    Do you have any tracks you like to listen to while you work? Anything on heavy rotation at the moment?

Laura:    For the last couple of years, I've had the really bad habit of listening to podcasts.

Nativen:    i think that's a good habit.  

Laura: Recently I made a playlist of Erica Badu and Alicia Keys that I feel very into. I think the music is very good but they are both really strong self assured women. It's really good. 

Nativen:    What are three words that sum up your work for you?

Laura:    I'm bad at describing my work. It's such a struggle to describe what I do. It’s this weird edge between something that is really off-putting as well as something that feels classically beautiful. It's weird to call your own stuff weird. 

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Nativen:    There's got to be a word for that in some other language. That's such a great image of describing your work. Is there anything that you do specifically to connect with your community? 

Laura:    I work a little bit for a non-profit design center that has architects and landscape architects. They do small projects for people who have a blown budget that wouldn't otherwise be able to hire a design firm. I also volunteer at Habitat for Humanity. The first time I went there, there were some really warm women, most are retired, that I started talking with. They gave me giant hugs. They love me! This is the first time that I've really had friends that are a little bit older and it's such a nice experience, because, at least for me, it makes me feel so much less fearful of getting older. They're totally smart. And I have things in common with all of them. They are sharp and edgy and subversive and still really active and involved. 

Nativen:    What do you think is the most helpful advice you've received or what's some advice you maybe give to the person who is starting to pursue their creative work?

Laura:    Expect the struggle to continue! Early on in my career, I read an article in Business Insider that talked about how even entrepreneurs who are really successful constantly doubt. You are always going to feel like you're a phony, like you're losing your creativity no matter how well you do, no matter how much validation you get from the outdoor world.
I also got this really good advice at one point: try to rely less on external validation. When you get an exciting magazine placement or whatever, be excited about it but don't let it define you. That's not the key to satisfaction. Sooner or later, it’ll fade and you might not sell anything for a month and that's a major bummer. Try to sit somewhere in between, easier said than done, but have enough integrity so you are less affected by the external. I do this because I enjoy creating, not because I'm looking for fanfare. 

Nativen:    That's solid advice. Do you have a hero or maybe someone who has influenced your work in a big way?

Laura:    As far as inspiration goes, the women who run Sight Unseen. I am so incredibly inspired by them. It's not a mainstream website, but it's sparked, and people feel excited by it. They're a big one. 

Nativen:    What are three things you can't live without?

Laura:    Sunshine. That's pretty huge for me. I'm bummed about winter coming. I also definitely need those close friendship connections. Newness is also big for me. I'm always craving especially visually new and stimulating weirdness I haven't seen before. Back to the novelty thing.

Interview by: Lily Hetzler

Photos by: Ethan Covey

Edited by: Kristin Knox (This interview has been condensed & edited

all images copyright of Nativen

Ry Scruggs & Nadia Yaron: Nightwood

Lily Hetzler

For this month’s story, we sat down with the awesome duo behind Nightwood, Ry Scruggs and Nadia Yaron.

Inside their studio, they took us on a journey thru what it means to be part of a truly inspiring partnership… From scavenging industrial Brooklyn to Tree House dwelling escapes….

Nativen:  Where are you both from?

Ry:   I was born in California. I grew up in Missouri, in the Midwest, and I lived in Denver. Now, I live here.

Nativen:  Wow… US trotter.

Ry:  Yeah… Very American.

Nadia:  She loves America…. I was born in Brazil, and I grew up on Long Island, and I’ve been in Brooklyn for 15 or 16 years now, a long time now.

Nativen:   How do you think growing up in Missouri influenced your choice to start doing woodworking, Ry?

Ry:  It didn’t. [laughing] It absolutely didn’t…. Nothing. None whatsoever. It was not even a part of my early adulthood. It was totally born out of nowhere.

There are things now that I look back and say, oh yeah. I always had spacial relations… I’m really strong with that kind of stuff.  Logic and problem solving, so, those skills I’ve always had. Nothing about where I grew up had anything to do with it. For me, it felt like it came out of nowhere. I had an epiphany, and then it started.

Nadia:  Did it come out of a desire to furnish interior spaces?

Ry:  Yeah. More than anything else. It came out from a want to decorate.

a collaborative piece of wood and weaving (image taken at  Trunk  in Brooklyn)

a collaborative piece of wood and weaving (image taken at Trunk in Brooklyn)

Nativen:  Do you feel the same way, Nadia?

Nadia:  Well… I always made stuff. My mom was an art teacher so she always encouraged us to be creative and make different things… Because of that, I never took it seriously. [Like] I could do this as a job, have a living doing this.

So…When I went to college I wanted to be intellectual. I went to school for women’s studies. I got a job outside of that working on city council. I hated all of it. I basically escaped and went and lived in a tree house for a month and realized that I needed to work with my hands. That’s when I started taking it more seriously.

Nativen:  That’s a great beginning, though… I guess that answers when you realized you wanted to be [artists].

So…What do you love most about Brooklyn, and do you think it’s an integral part of your work?

Ry:  That’s a good question… I love Brooklyn. I have been to a lot of places in the US, and I can’t find anything that compares to New York in general. I don’t know if it’s now that I’m older, the city is way too overwhelming for me. Brooklyn is the nice, perfect medium between huge, overwhelming city and smaller towns.

It’s got a whole new thing now. I spent all my early 20s here and it was different for me then. It is now, too. It’s developed this whole identity and community that is this artisanal thing. Which is great, and it helped us find our identity within it, because we started doing it right around the time all of that energy was culminating here.

Although, now it’s getting maybe crazy and overdone possibly. I don’t know what it’s going to morph into next.

Nadia:  I feel like when we started, because we were literally finding wood on the streets of our neighborhood in Brooklyn, I think that our pieces really were truly a part of Brooklyn and its history. We were also taking apart old furniture from old brownstones, so I think it really was a piece of history and a piece of Brooklyn.

Ry:  The architecture of Brooklyn is very inspiring to us… Our Brooklyn apartment was one of the first catalysts for us starting to doing this. Just the beauty of the brownstone apartments and the neighborhood feeling. The history of the people and the architecture. Everything here is kind of what, I think, helped shape our aesthetic so that played a big part into it.

Nativen:  That’s great. Brooklyn’s an incredibly rich city. Culturally, and just sort of the dichotomy of industrial space with the reuse of that and beautiful architecture.

Ry:  We have lived in different neighborhoods a lot of different neighborhoods, from the industrial to the very charming and quaint. I think that it’s all played its part. It’s like different categories of art work. It definitely helps.

Nativen:  In Brooklyn, what is your favorite restaurant?

Nadia:  I think it is Isa, in Williamsburg… It is beautiful we love the woodwork and the way it is decorated its spacious and the food.

Nativen:  Do you have a favorite home goods store?

Nadia:  We go to a lot of vintage places, I feel like we kind of scavenge [laughing] everything you know.

Ry:  Yeah, it’s true…We shop at our own store… It’s hard for us. We don’t really shop for home goods that much because we make them… Moon River, we did a lot of shopping there.

Nativen: Do you have a favorite clothing store?

Ry:  Well I pretty much love vintage clothes.

Nadia:  Usually, we go to the flea market… There are these Japanese guys that have some really nice Japanese textiles and old Japanese clothing that we like to get and mend it and patch it back up…. They have really nice stuff.

Nativen:  Do you have a favorite park or outdoor space?

Nadia:  We usually just go to Fort Greene Park a lot in the mornings. We have a dog and it’s off‑leash before nine. He likes to run free like a little wild man.

Ry:  I love Fort Green Park. It’s got hills… It’s not too big. Just right.

Nativen: Is there a hidden gem in Brooklyn that you have?

Ry:  There used to be more, so, I don’t know. We use to go to a guy called Crazy Eddie.

Nadia:  There was also a guy on Carlton that it was just like a junk yard. He was like a hoarder basically. When he first started…

Ry:  He had crazy junk. You had to climb mountains. It was like an episode of “Hoarders.” It was hardcore… When we first started we got some good stuff there and we kind of furnished our apartment with stuff from him.

Nadia:  That was the gem.

Ry: The secret. You would be brave to go there.

…Local hardware stores were actually a really good resource for us because we like to use crazy, weird hardware that you get at a hardware store.  Sometimes they’ll give you old stuff. They think it’s ugly and I think it’s just perfect.

Ry:  We have lived in different neighborhoods a lot of different neighborhoods, from the industrial to the very charming and quaint. I think that it’s all played its part. It’s like different categories of art work. It definitely helps.

Nativen:  In Brooklyn, what is your favorite restaurant?

Nadia:  I think it is Isa, in Williamsburg… It is beautiful we love the woodwork and the way it is decorated its spacious and the food.

Nativen:  Do you have a favorite home goods store?

Nadia:  We go to a lot of vintage places, I feel like we kind of scavenge [laughing] everything you know.

Ry:  Yeah, it’s true…We shop at our own store… It’s hard for us. We don’t really shop for home goods that much because we make them… Moon River, we did a lot of shopping there.

Nativen: Do you have a favorite clothing store?

Ry:  Well I pretty much love vintage clothes.

Nadia:  Usually, we go to the flea market… There are these Japanese guys that have some really nice Japanese textiles and old Japanese clothing that we like to get and mend it and patch it back up…. They have really nice stuff.

Nativen:  Do you have a favorite park or outdoor space?

Nadia:  We usually just go to Fort Greene Park a lot in the mornings. We have a dog and it’s off‑leash before nine. He likes to run free like a little wild man.

Ry:  I love Fort Green Park. It’s got hills… It’s not too big. Just right.

Nativen: Is there a hidden gem in Brooklyn that you have?

Ry:  There used to be more, so, I don’t know. We use to go to a guy called Crazy Eddie.

Nadia:  There was also a guy on Carlton that it was just like a junk yard. He was like a hoarder basically. When he first started…

Ry:  He had crazy junk. You had to climb mountains. It was like an episode of “Hoarders.” It was hardcore… When we first started we got some good stuff there and we kind of furnished our apartment with stuff from him.

Nadia:  That was the gem.

Ry: The secret. You would be brave to go there.

…Local hardware stores were actually a really good resource for us because we like to use crazy, weird hardware that you get at a hardware store.  Sometimes they’ll give you old stuff. They think it’s ugly and I think it’s just perfect.

Ry: I don’t know if I would be a musician. Maybe also just something in pop culture. I love pop culture, TV, movies, celebrities, music, all of that stuff. I think that’s for me…

Nadia:  And astrology.

Ry:  Astrology too, but I don’t think that I would do that for a job. Probably one of those artistic realms of things. Entertainment based.

Nadia:  I’m more of a spiritual person.

Ry:  We know her backup plan.

Nadia:  I would go more into a… I don’t know.

Ry:  She would be a shaman. Don’t be shy.

Nadia:  Kind of. I would be more into spiritual, healing…

Ry:  Or a Buddhist monk.

Nadia:  Or I would go to a monastery, basically. I had a dream last night that we went on vacation and there was a Buddhist monastery next door. There was a monk there that was like, “Come in.” I was like, “OK, great.”

I went in and I just stayed for a week and then I went back to tell everybody that I was going back there and I was going to stay there. Like… I’ll be here, guys.

Nativen:  That’s great. That’s awesome. It’s good to have an out plan. Always in life. What destination do you want to travel to and how do you think that might inspire or alter your work, if it would?

Nadia:  I guess after this long winter, I’ve been craving tropical weather like Brazil. I wouldn’t go to Brazil. I probably would want go somewhere in Asia, like Thailand or India.

I’d love to see the textiles there, too. I love block print fabrics. I’d like to see their woven processes and things like that.

Ry:  I still don’t know where I would go.

Nadia: She likes Scandinavian….

Ry:  I do.

Nadia:  She likes very civil…

Ry:  I would probably go to… northern Europe. Basically, I like the architecture, the old European architecture. That is definitely more inspiring to me. I do enjoy the casual feeling of Island spa retreats and such… So, I would get into driftwood materials and such.  Those things would definitely be even more inspiring to my work.

Nativen:  That’s great, it’s funny how that works out; how you take on individual affinities towards a place even if you have no connection there. Maybe you do, I mean, northern Europe I clearly have a connection to, but it is, you just kind of get sucked in by your soul.

Ry:  It’s true.

Nativen:  Do you have a song that’s currently heavily on rotation?

Ry:  It’s usually a mix of things. What’s the last thing I listened to? One artist? Electrelane, I’ve been really feeling.

I listen to all kinds like cheesy pop music too. I mean, everything. Classic rock. We have a little bit different…She doesn’t include the pop music in her rapporteur.

Nadia:  I take those songs off the playlist

Ry:  I make them and she’s like, “Is this appropriate for me or not?… She’s a much more discriminating editor than I am.

Nadia:  I have been listening to podcasts while I work..I listen to Ram Dass a lot… He was a Harvard professor in the 60’s, for psychology. Then he met Timothy Leary and they started doing acid together. He went to India and became a Buddhist and Hindu. It’s just really interesting his talks and hearing…They are from the 60’s and 70’s so you just feel like you’re transported back in time.

Nativen:  That’s nice go on a journey in your own work space. I love that.

What are [a couple of] words that sum up your work?

Ry:  Well I like to think of it as being very primitive..

Actually, after going to go this design shows this past weekend and seeing everything is so finished and polished and smooth. It hardly feels natural to me.

I would say our work is very organic, as well. That’s very important to us. That’s two.

Nativen:  Great. Is there anything you do with your work to specifically connect with your community?

Nadia:  I am going to be doing a community weaving project. I am doing a woven backdrop for PS1 for summer stage. It’s going to be 16 feet by 20 feet. I’m going to get together some people and have some community weaving sessions to make it because it’s going to be very large and time consuming.

Nativen:  That’s fantastic though, that’s great.

Ry:  I more put my head down and try not to…Nadia pays attention to everything that’s going on out there in our realm of work and such. I am not as good at that. In fact, I usually prefer to keep it really in insular. Just because I work better that way.

But I do think about my clients and it’s very much more, rather than being community based, it’s very much service based. The fact that I work well trying to assess and accommodate my client’s needs and their interests and their style and that. I think a lot in terms of that, less so than the community.

I think, probably, it influences me more. Just more one on one.

Nativen:  Well that’s the community in and of itself too, just a smaller scale…

What’s the most helpful advice you’ve received, or what would you offer to creatives looking to develop their own work?

Nadia: I feel like a lot of people that are starting get bogged down on the details of the things that they need to have and the things that they need to do in order to do this.

Ry:  Like, the traditional stuff.

Nadia:  Well I need these giant tools and this giant table saw so that I can make a table. You don’t need all that stuff. Or, I need a giant floor loom so I can weave.

You don’t. I think you just need to do it.

That’s usually our advice. Just start making stuff and see what happens. Don’t get bogged down in all of the other stuff. If you’re starting a business, all that stuff that just feels so overwhelming. Like business plans and all that crap. Just start doing it and see where it takes you.

Ry:  If you’re business is creation based and you’re making something, just start making something.

Nadia:  Just start making it. That’s our advice.

Nativen:  That’s really good advice. Solid advice.

Who is your hero or someone who’s helped maybe influence your work?

Ry:  Nadia. You’re my hero

Nadia:  Oh! Really, that’s so sweet.

Ry:  I know, I am getting choked up but it’s true. I think that for me our business wouldn’t be what it is.

Nadia:  That’s so cute. Thank you.

Ry:  I try to explain that to people. That whatever we have was born because we came together.

Nadia:  We do actually inspire each other and get excited when we talk about stuff together.

Ry:  I think it might be impossible for me to do what we have done without You.

Nativen:  That’s fantastic. That is like the ideal match, right there. Amazing.

Nadia:  Do you feel like Barbara Walters now?

[laughter]

Nativen:  It’s inspiring to hear that and it’s really reassuring too… To know that you can create that together and constantly be refueling that fire.

Life is crazy and the creative journey is so crazy. There are those moments where it’s so great. Then there’s moments where you’re like, “What am I doing?” To have somebody who’s on that journey with you and reinvigorating the fire for you, it’s really powerful. It’s awesome.

Ry:  It’s also really helpful just to have somebody to talk to about all this decisions you have to make.

Nadia:  Exactly. For sure.

Nativen:  Yes, a sounding board, if nothing else, absolutely.

What are the five objects you can’t live without?

Nadia:  I need a loom of some kind. I guess then I need yarn.

Ry:  I need a television or some sort of media device that I can be entertained by.

Nadia:  We aren’t that type.

Ry:  We aren’t that object driven.

Nadia:  I think also because we make stuff too, we usually get rid of stuff. We’re not that attached to that many things. We redecorate our apartment a lot. We usually just don’t get too attached to the stuff we have. I think

Ry:  I think a home is…

Nadia:  A home. Yeah.

Ry:  …is an object I can’t live without. I would not be able to be homeless. So a home.

Nadia:  Something to play music with I guess, too.

Ry:  Yes. Whatever object that would be. Have to have music. I think the home thing is the biggest thing and then whatever is inside of it doesn’t really matter because we’ll just make it, I guess.

Interview and Photos By: Lily Hetzler

This interview has been condensed & edited

all images copywright of Nativen